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A lot of my time is spent watching films and reading scripts. And it can be all-consuming. And it's obviously something I'm fortunate that is both my work and my hobby. It's what I would naturally be doing anyway.

Felicity Jones

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Felicity Jones
Age: 41
Born: 1983
Born: October 17
Actor
Actress
Child Actor
Executive Producer
Film Actor
Voice Actor
Birmingham
West Midlands
Felicity Rose Hadley Jones
Something
Scripts
Would
Obviously
Time
Spent
Hobby
Watching
Hobbies
Films
Consuming
Reading
Naturally
Film
Anyway
Work
Fortunate

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I always had a very strong sense of independence.
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I like to keep pushing myself and trying things out. I get easily bored, so I need a challenge.
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I'm a real geek. I love spending time researching a character and reading about them.
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Going to auditions is always so nerve-wracking. I don't think they ever get any easier.
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It was lucky that Ralph [Fiennes] is someone who understands both film and theater and we were able to understand that scene so well before we took it to the set.
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Those moments when you don't feel self-conscious, when you escape that, are when you produce something meaningful.
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I'm not a huge jewelry fan.
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I cry at the end of every episode of Girls. I'm just so overwhelmed by the truthfulness with which [Lena Dunham] conveys human nature.
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I think, as an actor, you're always traveling. There's a sense of dislocation sometimes from home.
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Sometimes there are changes that need to be made.
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I'm keen to have balance, as much as possible. I put every ounce of myself into my work, but also it's important that I don't miss every single wedding of my best friends. I couldn't do what I do without my friends and family.
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There's so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you'd be naive if you didn't try to hold on to your own way of doing things.
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I want to be paid fairly for the work that I'm doing. That's what every single woman around the world wants.
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[In The Invisible Woman] was a different type of performance which was less driven by improv. You always want moments of freshness and newness, but there was less so than I've done before.
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My most treasured item is the brown leather bag that my mum bought me from a little Italian shop for my 21st. It's supposed to be a vanity bag, but I use it as a handbag.
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I've done quite a lot of improv work before, and I wanted to do this film [The Invisible Woman] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.
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What's amazing about the show [Girls] - the first (season) is about the girls and then the second (season) is about the boys as well. There's something so human about it.
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The American vice would be sometimes speaking too loudly. You can always hear American people on the trains!
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I like Nelly's [Ternan] quiet inner strength. I thought there was something about her predicament that I found interesting - that she didn't want to be a floozy mistress, a bit on the side, that she had more self-respect than that.
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When you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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