Quote

But that constant adjustment and adaptation to your new environment, all the variables are the same. There's always a promoter, there's always a rider, there's always a shower, and there's always a stage.

Feist

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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Stage
Riders
Always
Variables
Adjustment
Shower
Adaptation
Showers
Promoter
Constant
Promoters
Environment
Rider

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There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
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You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
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I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.
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There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.
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With music, I wasn't curious anymore. There was no dialogue. By the time I stopped, I knew it wasn't going to be gone forever, but it just wasn't the right time for me to care about that.
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I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
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I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
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Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.
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I was in a crazy, private, awesome bubble again, and that's when I started to write.
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It may be years until the day My dreams will match up with my pay.
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When I'm in a city that's just clean, concrete lines, I get really short of breath and confused. It's much more interesting to me when nature is creeping back and tearing the mortar apart between the bricks.
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Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
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I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.
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There's something about live recordings now that's too hi-fi.
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I think that's more a reflection of the fact I've never been a student of any particular school of writing, or even listening.
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No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
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You just never set roots you take pleasure in simple conversations, because you know you're not going to have much more than that. It's very isolating, and that can be a good thing.
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The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
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All the girls who have photos of them at parties, like, Woo! - that's what someone's going to see of their grandma.
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