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There's something about live recordings now that's too hi-fi.

Feist

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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Live
Something
Recordings

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I think that's more a reflection of the fact I've never been a student of any particular school of writing, or even listening.
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If you keep bashing your head against the same wall, at some point you're going to fall over and be still for awhile.
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Everything becomes closer once you realize that the world is only as far away as a nap and a meal.
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You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
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I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
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I haven't been living anywhere because I've been on tour for the past two years.
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I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.
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Songwriting is a really fortunate skill to have to frame living and to find new ways to observe things you're going through.
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The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
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Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.
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There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.
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With music, I wasn't curious anymore. There was no dialogue. By the time I stopped, I knew it wasn't going to be gone forever, but it just wasn't the right time for me to care about that.
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Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
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A year's a long time, but it also flickers past in no time at all.
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But that constant adjustment and adaptation to your new environment, all the variables are the same. There's always a promoter, there's always a rider, there's always a shower, and there's always a stage.
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I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
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I find it pretty fascinating how humans keep gravitating towards these giant centers. I went to this walled medieval village in France this year, and it was truly the most crazy, beautiful, bizarre place I've ever been.
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Probably, on some subconscious level, I was motivated by not wanting to spoon-feed any similar flavors.
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No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
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