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I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.
Feist
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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Cities
Lines
Growing
Magnetize
Looking
Spots
Really
Green
Always
Lived
Never
City
Outside
More quotes by Feist
There's something about live recordings now that's too hi-fi.
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I think that's more a reflection of the fact I've never been a student of any particular school of writing, or even listening.
Feist
Everything becomes closer once you realize that the world is only as far away as a nap and a meal.
Feist
When I'm in a city that's just clean, concrete lines, I get really short of breath and confused. It's much more interesting to me when nature is creeping back and tearing the mortar apart between the bricks.
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I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.
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There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.
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If you keep bashing your head against the same wall, at some point you're going to fall over and be still for awhile.
Feist
There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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I guess there are a lot of people out there that think they're supposed to define themselves in isolation, but that's not necessarily the case.
Feist
Songwriting is a really fortunate skill to have to frame living and to find new ways to observe things you're going through.
Feist
No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
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You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
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I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.
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You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
Feist
I had a guitar leaning against the wall and I'd squint at it. It was almost like a dog that had been kicked - I didn't think I had anything to offer it.
Feist
I find it pretty fascinating how humans keep gravitating towards these giant centers. I went to this walled medieval village in France this year, and it was truly the most crazy, beautiful, bizarre place I've ever been.
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I was in a crazy, private, awesome bubble again, and that's when I started to write.
Feist
All the girls who have photos of them at parties, like, Woo! - that's what someone's going to see of their grandma.
Feist
I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
Feist
You just never set roots you take pleasure in simple conversations, because you know you're not going to have much more than that. It's very isolating, and that can be a good thing.
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