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I said I'd stop for a year, which was inconceivable to me and everyone around me. It seemed like so long. But then, after that year, I looked up and I still hadn't gotten my land legs back at all.
Feist
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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Around
Gotten
Stills
Legs
Still
Seemed
Back
Looked
Long
Land
Years
Stop
Like
Year
Inconceivable
Everyone
Hadn
More quotes by Feist
Probably, on some subconscious level, I was motivated by not wanting to spoon-feed any similar flavors.
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You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
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If you calculate every single thing you could possibly need in your life, you would need no more than 200 people to keep all that afloat: a doctor, food, wine, cheese-eating friends, the person who makes paper, the shoemaker.
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A year's a long time, but it also flickers past in no time at all.
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I had a guitar leaning against the wall and I'd squint at it. It was almost like a dog that had been kicked - I didn't think I had anything to offer it.
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Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
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When I'm in a city that's just clean, concrete lines, I get really short of breath and confused. It's much more interesting to me when nature is creeping back and tearing the mortar apart between the bricks.
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You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
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I think that's more a reflection of the fact I've never been a student of any particular school of writing, or even listening.
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There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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If you keep bashing your head against the same wall, at some point you're going to fall over and be still for awhile.
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I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
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I find it pretty fascinating how humans keep gravitating towards these giant centers. I went to this walled medieval village in France this year, and it was truly the most crazy, beautiful, bizarre place I've ever been.
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All the girls who have photos of them at parties, like, Woo! - that's what someone's going to see of their grandma.
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Everything becomes closer once you realize that the world is only as far away as a nap and a meal.
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There's something about live recordings now that's too hi-fi.
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Songwriting is a really fortunate skill to have to frame living and to find new ways to observe things you're going through.
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I was grateful to be away from all that familiarity, to have a chance to do something anonymously.
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I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.
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I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.
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