Quote

I said I'd stop for a year, which was inconceivable to me and everyone around me. It seemed like so long. But then, after that year, I looked up and I still hadn't gotten my land legs back at all.

Feist

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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Still
Seemed
Back
Looked
Long
Land
Years
Stop
Like
Year
Inconceivable
Everyone
Hadn
Around
Gotten
Stills
Legs

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I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
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There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
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There's something about live recordings now that's too hi-fi.
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If you calculate every single thing you could possibly need in your life, you would need no more than 200 people to keep all that afloat: a doctor, food, wine, cheese-eating friends, the person who makes paper, the shoemaker.
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I was in a crazy, private, awesome bubble again, and that's when I started to write.
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I guess there are a lot of people out there that think they're supposed to define themselves in isolation, but that's not necessarily the case.
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No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
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I haven't been living anywhere because I've been on tour for the past two years.
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The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
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I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.
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You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
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With music, I wasn't curious anymore. There was no dialogue. By the time I stopped, I knew it wasn't going to be gone forever, but it just wasn't the right time for me to care about that.
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