Quote

I said I'd stop for a year, which was inconceivable to me and everyone around me. It seemed like so long. But then, after that year, I looked up and I still hadn't gotten my land legs back at all.

Feist

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Feist
Age: 48
Born: 1976
Born: February 13
Actor
Musician
Recording Artist
Singer
Singer-Songwriter
Amherst
Nova Scotia
Leslie Feist
Stills
Legs
Still
Seemed
Back
Looked
Long
Land
Years
Stop
Like
Year
Inconceivable
Everyone
Hadn
Around
Gotten

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I guess there are a lot of people out there that think they're supposed to define themselves in isolation, but that's not necessarily the case.
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Songwriting is a really fortunate skill to have to frame living and to find new ways to observe things you're going through.
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You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
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It may be years until the day My dreams will match up with my pay.
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But that constant adjustment and adaptation to your new environment, all the variables are the same. There's always a promoter, there's always a rider, there's always a shower, and there's always a stage.
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Everything becomes closer once you realize that the world is only as far away as a nap and a meal.
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There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.
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Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
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I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.
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I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.
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There's something about live recordings now that's too hi-fi.
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I had a guitar leaning against the wall and I'd squint at it. It was almost like a dog that had been kicked - I didn't think I had anything to offer it.
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I know more than I knew before I didn't rest I didn't stop Did we fight or did we talk.
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If you calculate every single thing you could possibly need in your life, you would need no more than 200 people to keep all that afloat: a doctor, food, wine, cheese-eating friends, the person who makes paper, the shoemaker.
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I was in a crazy, private, awesome bubble again, and that's when I started to write.
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With music, I wasn't curious anymore. There was no dialogue. By the time I stopped, I knew it wasn't going to be gone forever, but it just wasn't the right time for me to care about that.
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You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
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I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.
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I find it pretty fascinating how humans keep gravitating towards these giant centers. I went to this walled medieval village in France this year, and it was truly the most crazy, beautiful, bizarre place I've ever been.
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No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common denominator at this point who's been with me the whole time. And there's this sense of trying to make sense of that ultimate solitude. It's not a negative or even a positive. It's just a fact.
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