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There's so much stuff going on behind the cameras. Sometimes people think these things are done certain ways and when you watch that you see how hard and down and dirty it was.

Fede Alvarez

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Fede Alvarez
Age: 46
Born: 1978
Born: February 9
Director
Film Director
Film Producer
Screenwriter
St. Louis
Missouri
Federico Alvarez
Federico Álvarez
Fede Alvarez
People
Hard
Watches
Sometimes
Watch
Going
Behinds
Much
Behind
Way
Ways
Things
Stuff
Think
Certain
Dirty
Thinking
Done
Cameras

More quotes by Fede Alvarez

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I always say that I am a big fan of films but I am an even bigger fan of the filmmaking craft.
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I love just about every aspect of the filmmaking except acting. I would never be able to do that, but the rest I really enjoy.
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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For me it sounds weird saying that the filmmakers respect the film. I don't imagine that there's other ways to make a film, but unfortunately there is.
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What some of the early horror genre masters knew, and what I know, is that the audience are perverts, but in the best possible way.
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Maybe because I'm a child of the 80's, but for me a sequel is a story that follows the previous one, and sometimes if you haven't seen the original then you don't understand the second one.
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If you think about it, a lot of great horror films have bad sequels just because the market demands you to make the other one right away.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Definitely my favorite cut is the one that got put out. That's my favorite version of the film, the one that I put in theaters. That's my directors cut, there's no question about it.
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It's a convention, but in horror movies the female characters usually tend to believe easier in a supernatural event.
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I think a good actor will always know the character better than anybody.
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Only really good comedies and really good horror movies get a verbal response out of the audience. People will scream. People will laugh.
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In my everyday life, I can be as square as I want. But when it comes to movies and telling stories, I can't. I've got to be radical, and on some level, that's what I like to do.
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There's always a tone that you have to hit right in horror. With the blood, you want to make sure that it makes sense all along.
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I'm inspired when I find out about something that I didn't know was a remake.
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I think violence in movies, for it to work, you have to use it smartly. People get numb very fast. If you have too much violence in the beginning, it gets to a point where you don't feel it.
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I try not to be spectacular with the camera. I try to be a witness of what's going on.
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I don't want to spoon-feed the audience, like, This is the funny guy, this is one you hate, this is the one you like. A lot of movies do that. They don't really give you a choice. They show you the jock, and he's an idiot, and everybody has to hate him. You have no choice.
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In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.
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When you're a director you always feel weird with another director watching over your shoulder.
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