Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.

Less is even less, and more is still not quite enough.

I just feel like I'm the luckiest person in the world being able to do what I love and be able to do it all day every day if I like, you know, I mean it's great, I love it.

No other creative field is as closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing that I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.

I always knew I wanted to be somebody. I think that's where it begins. People decide, I want to be somebody. I want to make a contribution. I want to leave my mark here. Then different factors contribute to how you will do that.

I had something I was trying to say and sometimes the message is an easy transmission and sometimes it's a difficult one but I love the power of saying it so I'm gonna do it whether it's hard or easy.

I became a feminist because I wanted to help my daughters, other women and myself aspire to something more than a place behind a good man.

I guess I had fun doing it but it has hard memories for me.

I had this idea that I wanted to do this mixture of visions of African American women and visions of African American men. And call it 'The Men' and call it 'The Women' and show different faces of these two people.