I love seeing the light go on in aspiring writers' eyes when you point out ways to improve their prose or their story - when they get it.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

I don't know how it is with other writers, but most of the time when I finish [reading] a story or novel, I may be pleased, I may even be impressed, but somewhere in the back of my mind I'm thinking, I can do that.

If all the diplomats were kicked out, the UN could be turned into the finest bordello in the world and do just as much, if not more, for international harmony.

My genre-hopping has caused problems with marketing and sales departments over the years, because they need to know where to position a book with the booksellers.

I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.

True freedom requires taking responsibility for your own life. That frightens the hell out of too many people. They prefer to have Big Brother holding a safety net for them, and they'll sell their own birthright and their children's as well to keep it.

Writing is solitary, so I love going out once in a while and meeting my readers. I'll often hang with them after a signing for some beers. They're invariably bright!

If you come to a fight thinking it will be a fair one, you didn't come prepared.