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The flavors of the peach and the apricot are not lost from generation to generation. Neither are they transmitted by book learning.

Ezra Pound

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Ezra Pound
Age: 87 †
Born: 1885
Born: October 30
Died: 1972
Died: November 1
Autobiographer
Composer
Economist
Journalist
Literary Critic
Literary Historian
Poet
Radio Personality
Translator
Writer
Hailey
Idaho
Ezra Weston Loomis Pound
Ezra Loomis Pound
Generations
Peach
Learning
Flavors
Lost
Transmitted
Book
Peaches
Flavor
Fruit
Generation
Apricot
Neither
Apricots

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The only chance for victory over the brainwash is the right of every man to have his ideas judged one at a time. You never get clarity as long as you have these packaged words, as long as a word is used by twenty-five people in twenty-five different ways. That seems to me to be the first fight, if there is going to be any intellect left.
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The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
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What thou lovest well remains, the rest is dross What thou lov’st well shall not be reft from thee What thou lov’st well is thy true heritage
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There is no topicmore soporific and generally boring than the topic of Ireland as Ireland, as a nation.
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The serious artist must be as open as nature. Nature does not give all of herself in a paragraph. She is rugged and not set apart into discreet categories.
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The history of an art is the history of masterwork, not of failures, or mediocrity.
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The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
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Any general statement is like a check drawn on a bank. Its value depends on what is there to meet it.
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Democracy is now currently defined in Europe as a 'country run by Jews,'
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Until you know who has lent what to whom, you know nothing whatever of politics, you know nothing whatever of history, you know nothing of international wrangles.
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Pay no attention to the criticism of men who have never themselves written a notable work.
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Take the serious side of Disney, the Confucian side of Disney. It's in having taken an ethoswhere you have the values of courage and tenderness asserted in a way that everybody can understand. You have got an absolute genius there. You have got a greater correlation of nature than you have had since the time of Alexander the Great.
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And in the mean time my songs will travel, And the devirginated young ladies will enjoy them when they have got over the strangeness
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Genius... is the capacity to see ten things where the ordinary man sees one.
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See, they return ah, see the tentative Movements, and the slow feet, The trouble in the pace and the uncertain Wavering! See, they return, one, and by one, With fear, as half-awakened As if the snow should hesitate And murmur in the wind, and half turn back.
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No good poetry is ever written in a manner twenty years old, for to write in such a manner shows conclusively that the writer thinks from books, convention and cliché, not from real life.
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What matters is not the idea a man holds, but the depth at which he holds it.
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The secret of popular writing is never to put more on a given page than the common reader can lap off it with no strain whatsoever on his habitually slack attention.
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Properly, we should read for power.
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We do NOT know the past in chronological sequence. It may be convenient to lay it out anesthetized on the table with dates pasted on here and there, but what we know we know by ripples and spirals eddying out from us and from our own time.
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