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You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses.

Evan Parker

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Evan Parker
Age: 80
Born: 1944
Born: April 5
Composer
Jazz Musician
Musician
Saxophone Player
Saxophonist
Bristol
Gloucestershire
Whole
Combinations
Strengths
Ads
Weaknesses
Combination
Weakness
Philosophy

More quotes by Evan Parker

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We all listened to a lot of recorded music, especially American jazz, modern jazz, and that's where our studies were and our inspiration came from.
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There are many of these apparent philosophical paradoxes or contradictions which don't concern me anymore.
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I think the voice does that perfectly adequately without being imitated by other instruments.
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Those early steps are very important in understanding the evolution. But in themselves, maybe now you need the later records to understand the significance of the earlier records!
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I'd met Roscoe in Europe quite a few times over the years, and we'd say hi and so on, but this was the first time we'd actually played together.
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So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there.
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When you add a period of 25 years between the playing and the listening, then the whole question of meaning gets very complicated.
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A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I always like that when that happens, when something comes that is more than the sum of the parts.
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To speak about notation as the only way that you can guarantee structure of course is already very suspect.
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Of course I knew the work of Roland Kirk and Harry Carney and the specific uses they would make of circular breathing, so I knew it was physically possible.
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In my mind these two instruments speak to me in different ways, and the solo stuff seems to be easier to do on the soprano.
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