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I am, it seems, an avant-garde dramatist. It would even seem obvious since I am present here at discussions on the avant-garde theatre. It is all entirely official. But what does the term avant-garde mean?

Eugene Ionesco

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Eugene Ionesco
Age: 84 †
Born: 1909
Born: November 26
Died: 1994
Died: March 28
Diarist
Dramatist
Graphic Artist
Illustrator
Literary Critic
Playwright
Poet
Writer
Stanwood
Washington
Ionesco
Eugen Ionesco
Eugene Ionesco
Present
Discussions
Since
Official
Term
Officials
Seems
Discussion
Doe
Entirely
Mean
Theatre
Dramatist
Even
Obvious
Garde
Would
Seem
Avant

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We have not the time to take our time.
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Childhood is the world of miracle or of magic: it is as if creation rose luminously out of the night, all new and fresh and astonishing. Childhood is over the moment things are no longer astonishing. When the world gives you a feeling of déjà vu, when you are used to existence, you become an adult.
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We are made to be immortal, and yet we die. It's horrible, it can't be taken seriously
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We haven't the time to take out time.
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I am told, in a dream you can only get the answer to all your questions through a dream. So in my dream, I fall asleep, and I dream, in my dream, that I'm having that absolute, revealing dream.
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God is dead. Marx is dead. And I don't feel so well myself.
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There is no religion in which everyday life is not considered a prison there is no philosophy or ideology that does not think that we live in alienation.
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The critic should describe, and not prescribe.
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To become conscious of what is horrifying and to laugh at it is to become master of that which is horrifying
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Explanation separates us from astonishment, which is the only gateway to the incomprehensible.
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I've always been suspicious of collective truths.
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The human comedy does not attract me enough. I am not entirely of this world. I am from elsewhere, and it is worth finding this elsewhere beyond the walls...but where is it?
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I personally would like to bring a tortoise onto the stage, turn it into a racehorse, then into a hat, a song, a dragoon and a fountain of water. One can dare anything in the theatre and it is the place where one dares the least.
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The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.
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We are all looking for something of extraordinary importance whose nature we have forgotten I am writing the memoirs of a man who has lost his memory.
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Like all revolutions, the surrealist revolution was a reversion, a restitution, an expression of vital and indispensable spiritual needs.
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All the plays that have ever been written, from ancient Greece to the present day, have never really been anything but thrillers... Drama's always been realistic and there's always been a detective about... Every play's an investigation brought to a successful conclusion.
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The more I try to explain myself, the less I understand myself.
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Ideologies separate us. Dreams and anguish bring us together.
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