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Like all revolutions, the surrealist revolution was a reversion, a restitution, an expression of vital and indispensable spiritual needs.

Eugene Ionesco

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Eugene Ionesco
Age: 84 †
Born: 1909
Born: November 26
Died: 1994
Died: March 28
Diarist
Dramatist
Graphic Artist
Illustrator
Literary Critic
Playwright
Poet
Writer
Stanwood
Washington
Ionesco
Eugen Ionesco
Eugene Ionesco
Like
Surrealist
Revolutions
Indispensable
Vital
Revolution
Expression
Spiritual
Reversion
Needs
Restitution

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Every message of despair is the statement of a situation from which everybody must freely try to find a way out.
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Logic is a very beautiful thing. As long as it is not abused.
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I long for solitude and yet I cannot stand it.
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Explanation separates us from astonishment, which is the only gateway to the incomprehensible.
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God is dead. Marx is dead. And I don't feel so well myself.
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When I was born, I was almost fourteen years old. That's why I was able to understand more easily than most what it was all about.
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The human comedy does not attract me enough. I am not entirely of this world. I am from elsewhere, and it is worth finding this elsewhere beyond the walls...but where is it?
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No society has been able to abolish human sadness, no political system can deliver us from the pain of living, from our fear of death, our thirst for the absolute. It is the human condition that directs the social condition, not vice versa.
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We are all looking for something of extraordinary importance whose nature we have forgotten I am writing the memoirs of a man who has lost his memory.
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I've always been suspicious of collective truths.
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It isn't what people think that is important, but the reason they think what they think.
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There are more dead people than living. And their numbers are increasing. The living are getting rarer.
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Childhood is the world of miracle and wonder as if creation rose, bathed in the light, out of the darkness, utterly new and fresh and astonishing. The end of childhood is when things cease to astonish us.
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We haven't the time to take out time.
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Ideologies separate us. Dreams and anguish bring us together.
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Mediocrity is more dangerous in a critic than in a writer.
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Only the ephemeral is of lasting value.
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The more I try to explain myself, the less I understand myself.
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The critic should describe, and not prescribe.
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Childhood is the world of miracle or of magic: it is as if creation rose luminously out of the night, all new and fresh and astonishing. Childhood is over the moment things are no longer astonishing. When the world gives you a feeling of déjà vu, when you are used to existence, you become an adult.
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