I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.

One of the biggest problems of our contemporary civilization is that there's been an interruption of transmission. People have no past in their present.

I have much respect for the people that I work with, and it's reciprocal. My shoots are always very calm. Everyone has their work to do, and we try to respect everyone's work and give them the time necessary. There's never any tension. That's something that helps to attain the simplicity that I'm looking for.

I think that if you have a sense of the sacredness of nature and of human relations, I think you will be uplifted in some sort of spiritual elevation.