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Mythological subjects always new. Modern subjects difficult because of the absence of the nude and the wretchedness of modern costume.

Eugene Delacroix

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Eugene Delacroix
Age: 65 †
Born: 1798
Born: April 26
Died: 1863
Died: August 13
Artist
Diarist
Draftsperson
Drawer
Lithographer
Muralist
Painter
Pastellist
Photographer
Charenton-Républicain
Ferdinand Victor Eugène Delacroix
Ferdinand-Victor-Eugène Delacroix
Ferdinand-Victor-Eugene Delacroix
Eugene Delacroix
Ferdinand-Eugène-Victor Delacroix
Ferdinand Victor Eugene Delacroix
Ferdinand-Eugene-Victor Delacroix
Delacroix Eug.
E. Delacroix
Delacroix
e. delacroix
eugen delacroix
Delacroix Eugène
delacroix e.
Eug. delacroix
Absence
Subjects
Modern
Difficult
Mythological
Always
Wretchedness
Nude
Costume
Costumes

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It is often we come the closest to the essence of an artist... in his or her pocket notebooks and travel sketchbooks... where written comments and personal notes provide an intimate insight into the magical mind of a working artist.
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If one considered life as a simple loan, one would perhaps be less exacting. We possess actually nothing everything goes through us.
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The living model never answers well the idea or impressions the painter wishes to express one must, therefore, learn to do without one, and for that, you must acquire facility, furnish one's memory to the point of infinitude, and make numerous drawings after the old masters.
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To be understood a writer has to explain almost everything.
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Commonplace people have an answer for everything and nothing ever surprises them. They try to look as though they knew what you were about to say better than you did yourself, and when it is their turn to speak, they repeat with great assurance something that they have heard other people say, as though it were their own invention.
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Delsarte tells me that Mozart stole outrageously from Galuppi, in the same way, I suppose, that Molière stole from anybody anywhere, if he found something work taking. I said that what was Mozart had not been stolen from Galuppi, or from anyone else for that matter.
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Even when we look at nature, our imagination constructs the picture.
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The outcome of my days is always the same an infinite desire for what one never gets a void one cannot fill an utter yearning to produce in all ways, to battle as much as possible against time that drags us along, and the distractions that throw a veil over our soul.
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Let a man of genius make use [of photography] as it should be used, and he will raise himself to a height that we do not know.
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One must learn to be grateful for one's own findings.
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I believe it safe to say that all progress must lead, not to further progress, but finally to the negation of progress, a return to the point of departure.
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Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.
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There is a man whose qualities can be savored by people who are getting old... The painter qualities are carried to the highest point in his work: what he does is done - through and through when he paints eyes, they are lit with the fire of life.
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The things one experiences alone with oneself are very much stronger and purer.
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What moves those of genius, what inspires their work is not new ideas, but their obsession with the idea that what has already been said is still not enough.
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Glory to that Homer of painting, to that father of warmth and enthusiasm... he really paints men.
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All painting worth its name, unless one is talking about black and white, must include the idea of color as one of its necessary supports, in the same way that it includes chiaroscuro, proportion, and perspective.
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Criticism is like many other things, it drags along after what has already been said and doesn't get out of its rut.
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It is only possible to speak in the language and in the spirit of one's time.
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One should not be too difficult. An artist should not treat himself like an enemy.
Eugene Delacroix