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At a distance this fine oak seems to be of ordinary size. But if I place myself under its branches, the impression changes completely: I see it as big, and even terrifying in its bigness.

Eugene Delacroix

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Eugene Delacroix
Age: 65 †
Born: 1798
Born: April 26
Died: 1863
Died: August 13
Artist
Diarist
Draftsperson
Drawer
Lithographer
Muralist
Painter
Pastellist
Photographer
Charenton-Républicain
Ferdinand Victor Eugène Delacroix
Ferdinand-Victor-Eugène Delacroix
Ferdinand-Victor-Eugene Delacroix
Eugene Delacroix
Ferdinand-Eugène-Victor Delacroix
Ferdinand Victor Eugene Delacroix
Ferdinand-Eugene-Victor Delacroix
Delacroix Eug.
E. Delacroix
Delacroix
e. delacroix
eugen delacroix
Delacroix Eugène
delacroix e.
Eug. delacroix
Ordinary
Oaks
Completely
Terrifying
Fine
Branches
Bigs
Impression
Place
Size
Seems
Distance
Even
Changes
Perspective
Bigness

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God is that inner presence which makes us admire the beautiful and consoles us for not sharing the happiness of the wicked.
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Everyone knows that yellow, orange, and red suggest ideas of joy and plenty. I can paint you the skin of Venus with mud, provided you let me surround it as I will.
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Take hold of objects by their centres, not by their lines of contour... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.
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Delsarte tells me that Mozart stole outrageously from Galuppi, in the same way, I suppose, that Molière stole from anybody anywhere, if he found something work taking. I said that what was Mozart had not been stolen from Galuppi, or from anyone else for that matter.
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We work not only to produce, but to give value to time.
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Talent does whatever it wants to do. Genius does only what it can.
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If you are not skillful enough to sketch a man jumping out of a window in the time it takes him to fall from the fourth storey to the ground, you will never be able to produce great works.
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A taste for simplicity cannot last for long.
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As for the ridiculous fear of making things below one's potential abilities... No, there is the root of the evil. There is the hiding place of stupidity I must attack: vain mortal, you are limited by nothing.
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What moves those of genius, what inspires their work is not new ideas, but their obsession with the idea that what has already been said is still not enough.
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Commonplace people have an answer for everything and nothing ever surprises them. They try to look as though they knew what you were about to say better than you did yourself, and when it is their turn to speak, they repeat with great assurance something that they have heard other people say, as though it were their own invention.
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I am carrying out my plan, so long formulated, of keeping a journal. What I most keenly wish is not to forget that I am writing for myself alone. Thus I shall always tell the truth, I hope, and thus I shall improve myself. These pages will reproach me for my changes of mind.
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Glory to that Homer of painting, to that father of warmth and enthusiasm... he really paints men.
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There is a man whose qualities can be savored by people who are getting old... The painter qualities are carried to the highest point in his work: what he does is done - through and through when he paints eyes, they are lit with the fire of life.
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I believe it safe to say that all progress must lead, not to further progress, but finally to the negation of progress, a return to the point of departure.
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It is only possible to speak in the language and in the spirit of one's time.
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All painting worth its name, unless one is talking about black and white, must include the idea of color as one of its necessary supports, in the same way that it includes chiaroscuro, proportion, and perspective.
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Everything is a subject the subject is yourself. It is within yourself that you must look and not around you... The greatest happiness is to reveal it to others, to study oneself, to paint oneself continually in [one's] work.
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Painters who are not colorists produce illumination, not painting.
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In abandoning the vagueness of the sketch the artist shows more of his personality by revealing the range but also the limitations of his talent.
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