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All painting worth its name, unless one is talking about black and white, must include the idea of color as one of its necessary supports, in the same way that it includes chiaroscuro, proportion, and perspective.

Eugene Delacroix

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Eugene Delacroix
Age: 65 †
Born: 1798
Born: April 26
Died: 1863
Died: August 13
Artist
Diarist
Draftsperson
Drawer
Lithographer
Muralist
Painter
Pastellist
Photographer
Charenton-Républicain
Ferdinand Victor Eugène Delacroix
Ferdinand-Victor-Eugène Delacroix
Ferdinand-Victor-Eugene Delacroix
Eugene Delacroix
Ferdinand-Eugène-Victor Delacroix
Ferdinand Victor Eugene Delacroix
Ferdinand-Eugene-Victor Delacroix
Delacroix Eug.
E. Delacroix
Delacroix
e. delacroix
eugen delacroix
Delacroix Eugène
delacroix e.
Eug. delacroix
White
Painting
Chiaroscuro
Black
Worth
Supports
Ideas
Color
Includes
Must
Name
Include
Way
Support
Proportion
Names
Perspective
Talking
Necessary
Idea
Unless

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Curiously enough, the Sublime is generally achieved through want of proportion.
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Even when we look at nature, our imagination constructs the picture.
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In abandoning the vagueness of the sketch the artist shows more of his personality by revealing the range but also the limitations of his talent.
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The source of genius is imagination alone, the refinement of the senses that sees what others do not see, or sees them differently.
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I believe it safe to say that all progress must lead, not to further progress, but finally to the negation of progress, a return to the point of departure.
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A picture is nothing but a bridge between the soul of the artist and that of the spectator.
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The outcome of my days is always the same an infinite desire for what one never gets a void one cannot fill an utter yearning to produce in all ways, to battle as much as possible against time that drags us along, and the distractions that throw a veil over our soul.
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Let a man of genius make use [of photography] as it should be used, and he will raise himself to a height that we do not know.
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Painters who are not colorists produce illumination, not painting.
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At a distance this fine oak seems to be of ordinary size. But if I place myself under its branches, the impression changes completely: I see it as big, and even terrifying in its bigness.
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Talent does whatever it wants to do. Genius does only what it can.
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Criticism is like many other things, it drags along after what has already been said and doesn't get out of its rut.
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Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.
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Everything is a subject the subject is yourself. It is within yourself that you must look and not around you... The greatest happiness is to reveal it to others, to study oneself, to paint oneself continually in [one's] work.
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Delsarte tells me that Mozart stole outrageously from Galuppi, in the same way, I suppose, that Molière stole from anybody anywhere, if he found something work taking. I said that what was Mozart had not been stolen from Galuppi, or from anyone else for that matter.
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Cold exactitude is not art ingenious artifice, when it pleases or when it expresses, is art itself.
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Experience has two things to teach. The first is that we must correct a great deal and the second, that we must not correct too much.
Eugene Delacroix
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We work not only to produce, but to give value to time.
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Take hold of objects by their centres, not by their lines of contour... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.
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Glory to that Homer of painting, to that father of warmth and enthusiasm... he really paints men.
Eugene Delacroix