Assuming that his talent can survive the increasing strain, there is one scarcely avoidable danger that lies ahead of the pupil on his road to mastery.

The spider dances her web without knowing there are flies that will get caught in it. The fly, dancing nonchalantly on a sunbeam gets caught without knowing what lies in store. But through both of them It dances. So, too, the archer hits the target without having aimed-more I cannot say.

The more obstinately you try to learn how to shoot the arrow for the sake of hitting the goal, the less you will succeed in the one and the further the other will recede. What stands in your way is that you have a much too willful will. You think that what you do not do yourself does not happen.

Don't think of what you have to do, don't consider how to carry it out! The shot will only go smoothly when it takes the archer himself by surprise. It must be as if the bowstring suddenly cut through the thumb that held it. You mustn't open the right hand on purpose.

The more a human being feels himself a self, tries to intensify this self and reach a never-attainable perfection, the more drastically he steps out of the center of being.

You must learn to wait properly.

Zen Buddhism does not preach. Sermons remain words. It waits until people feel stifled and insecure, driven by a secret longing.

The man, the art, the work--it is all one.

He grows daily more capable of following any inspiration without technical effort, and also of letting inspiration come to him through meticulous observation.

Far from wishing to awaken the artist in the pupil prematurely, the teacher considers it his first task to make him a skilled artisan with sovereign control of his craft.

You must act as if the goal were infinitely far off.