Quote

Look for where the sky is brightest along the horizon. That reflects the nearest river. Strike out for a river and you will find habitation.

Eudora Welty

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Eudora Welty
Age: 102 †
Born: 1909
Born: April 13
Died: 2011
Died: July 23
Author
Autobiographer
Literary Critic
Novelist
Photographer
Writer
Jackson
Mississippi
Eudora Alice Welty
Along
Nearest
Water
Reflects
Find
Strike
Look
Horizon
Looks
River
Strikes
Rivers
Habitation
Sky
Brightest

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The fictional eye sees in, through, and around what is really there.
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Radio, sewing machine, bookends, ironing board and that great big piano lamp - peace, that's what I like. Butterbean vines planted all along the front where the strings are.
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There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned.
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Location pertains to feelings - feelings are bound up in place.
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Great fiction shows us not how to conduct our behavior but how to feel. Eventually, it may show us how to face our feelings and face our actions and to have new inklings about what they mean. A good novel of any year can initiate us into our own new experience.
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Characters take on life sometimes by luck, but I suspect it is when you can write more entirely out of yourself, inside the skin, heart, mind, and soul of a person who is not yourself, that a character becomes in his own right another human being on the page.
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Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.
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Travel itself is part of some longer continuity.
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How can you go out on a limb if you do not know your own tree? No art ever came out of not risking your neck. And risk--experiment--is a considerable part of the joy of doing.
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When I read, I hear what's on the page. I don't know whose voice it is, but some voice is reading to me, and when I write my own stories, I hear it, too.
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Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them.
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I like the feeling of being able to confront an experience and resolve it as art.
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Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else ... Fiction depends for its life on place. Place is the crossroads of circumstance, the proving ground of, What happened? Who's here? Who's coming?
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No art ever came out of not risking your neck.
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Beauty is not a means, not a way of furthering a thing in the world. It is a result it belongs to ordering, to form, to aftereffect.
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I think that as you learn more about writing you learn to be direct.
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Out of love you can speak with straight fury.
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Long before I wrote stories, I listened for stories.
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The novelist works neither to correct nor to condone, not at all to comfort, but to make what's told alive.
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The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.
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