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Somehow, the things my mother wanted to do, the release in evangelism she sought with such frenzy, were transferred to me.
Ethel Waters
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Ethel Waters
Age: 80 †
Born: 1896
Born: October 31
Died: 1977
Died: September 1
Film Actor
Jazz Musician
Singer
Stage Actor
Vocalist
Chester
Pennsylvania
Wanted
Things
Transferred
Evangelism
Frenzy
Sought
Release
Somehow
Mother
More quotes by Ethel Waters
I've never been able to feel that there is anything undignified about making your living by the sweat of your brow.
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I have reason to be shy. I've been hurt plenty.
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Twenty-five years is a long time for a girl to live out of a trunk, and after looking over a few houses, I fell in love with one in Southwest Los Angeles.
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My father came back one day and forced my mother to submit to him. He raped her, holding a knife.
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We miss a lot in life because we don't know when to quit, what to leave out.
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If whites bored me, it was because they bored themselves. They seemed to get little fun out of life and were desperately lonely.
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What broke Mom's heart was realizing that her children knew nothing and cared nothing about the better side of life.
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My whole family could sing. My family harmonized without any instruments to accompany them.
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There is a great supply of amateur undertakers in show business.
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Whenever I write for hotel reservations, I always enclose a set of rules I have made for the hotels.
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In her whole life Mom never earned more than five or six dollars a week. Being without a husband, it was hard for her to find any place at all for us to live.
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All the men in my life have been two things: an epic and an epidemic.
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There's no hypocrisy in Hell's Kitchen.
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There had been lots of crises in my life. And there was plenty of spunk and battle cry still left in me.
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Only those who are being burned know what fire is like.
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After years in white theaters I dreaded working in colored houses. The noise, the stomping, whistling, and cheering that hadn't annoyed me when I was young was now something I dreaded.
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Basically there is no difference between whites and blacks, browns and yellows. I decided to think no more of people as Northerners and Southerners.
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I could always open shows, perform through the middle, and close shows.
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I had always loved John Ford's pictures. And I came to love him, too, but I was frightened to death working for him. He used the shock treatment while directing me.
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I wanted to be with the kind of people I'd grown up with, but you can't go back to them and be one of them again, no matter how hard you try.
Ethel Waters