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The constant buzz and pressure and noise and static of the Internet, and the way it makes young people feel makes it difficult to grow up and develop the way one might want to.
Ethan Hawke
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Ethan Hawke
Age: 54
Born: 1970
Born: November 6
Actor
Comics Writer
Film Actor
Film Director
Novelist
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Writer
Austin
Texas
Ethan Green Hawke
Young
Develop
Might
Constant
Feel
Pressure
Feels
Internet
Way
Grow
People
Grows
Buzz
Difficult
Static
Makes
Noise
More quotes by Ethan Hawke
Happiness is in the doing not in getting what you want.
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I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
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If you can understand the inner life, then you can wear the uniform, the tattoos, or whatnot and realize that the things that are different about us become superficial.
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I did this movie, Predestination, and it's one of my favorite movies I've ever made, because sci-fi really lets you talk about ideas in a way that's not pretentious.
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It's certainly an interesting moment to try to talk about, 'cause you could make a great show about the police force right now, with all that's happening in the news and Ferguson and all of it.
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We all have this fantasy of finding our one true love who's going to be the perfect fit. It's just not a reality.
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I met a lot of famous people when I was about 24. And none of them seemed very appealing. And so I didn't know why I would struggle to be that kind of person.
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I think that as soon as you think of yourself as a famous person or anything like that, you're objectifying yourself in some weird way.
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I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi something with very important subject matters.
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The truth is that the more you get paid, the less freedom you have. They never pay you for nothing.
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I think it's my job to risk looking foolish. One of the things I've learned from the actors I've worked with is you don't get something for nothing. If you don't risk looking foolish, you'll never do anything special.
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Some people burn out, and some people like Clint Eastwood, he was a wild, international movie star in his 30s, and he's doing the best work of his life now. Go figure.
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And the best films feel like a fist punching you in the solar plexus and all elements of the filmmaking process - the acting, the design, the cinematography, the music, is all working to one end.
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It's always a unique challenge when you're working with somebody where English is their second language.
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I can't tell you how many times in the '90s I'd meet somebody, we'd be having a nice time, and they'd sigh and go, 'This is exactly like Before Sunrise.' And I'd have to get up and leave.
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Seeing the play ( A Lie of the Mind ) clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.
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Few years ago I did a movie, Good Kill, about drone pilots and for four or five months I'm obsessed with the Air Force.
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I've had several moments in my career where it seemed like I might not age out of the bracket the world wants to put you in. It's hard to keep growing up inside the performing arts. It's very difficult, and presents a lot of unique challenges.
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I've had different opportunities in my life, but I've tried to maintain the spirit of an amateur. Our culture roots everything in the barometer of success and how much money you make. But if you really just aspire to a life in the arts, it's really not a barometer at all.
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Directing is like putting together a collage.
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