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I think it's my job to risk looking foolish. One of the things I've learned from the actors I've worked with is you don't get something for nothing. If you don't risk looking foolish, you'll never do anything special.

Ethan Hawke

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Ethan Hawke
Age: 53
Born: 1970
Born: November 6
Actor
Comics Writer
Film Actor
Film Director
Novelist
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Writer
Austin
Texas
Ethan Green Hawke
Something
Risk
Things
Learned
Never
Special
Think
Looking
Thinking
Actors
Jobs
Anything
Foolish
Nothing
Worked

More quotes by Ethan Hawke

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If you can understand the inner life, then you can wear the uniform, the tattoos, or whatnot and realize that the things that are different about us become superficial.
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The biggest problem in my life is trying to be the kind of man that I want to be, the father that I want to be, and how to process the failure of my marriage.
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I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi something with very important subject matters.
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I'm always trying to look for how I can find human stories that aren't just dramas.
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When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
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I did this movie, Predestination, and it's one of my favorite movies I've ever made, because sci-fi really lets you talk about ideas in a way that's not pretentious.
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Its difficult to do a genre film well, and it doesnt matter if youre talking vampire movies or Dawn of the Dead or The Thing or Escape From New York. Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.
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I thought I was so much smarter than everybody. And I'm not.
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I've had different opportunities in my life, but I've tried to maintain the spirit of an amateur. Our culture roots everything in the barometer of success and how much money you make. But if you really just aspire to a life in the arts, it's really not a barometer at all.
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I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
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I can't tell you how many times in the '90s I'd meet somebody, we'd be having a nice time, and they'd sigh and go, 'This is exactly like Before Sunrise.' And I'd have to get up and leave.
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One of the hardest things about my job is that there kind of is no one rulebook that applies to all situations.
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At every turn, when humanity is asked the question, 'Do you want temporary economic gain or long-term environmental loss, which one do you prefer,' we invariably choose the money.
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I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.
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Set designers, costume designers, actors, writers, music, that's what is beautiful.
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Directing is like putting together a collage.
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Right now the only people I can really fall in love with are people who don't really, truly want me around. Now why do I do that?
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The constant buzz and pressure and noise and static of the Internet, and the way it makes young people feel makes it difficult to grow up and develop the way one might want to.
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The only thing I can point to of why I survived is I have a family that loves me and never wanted any money from me.
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One of the things that's really lousy about making movies is that you have such little interaction with your audience.
Ethan Hawke