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I think that, in Israel, the greatest fear that people have, and I have it, too, is fear of genocide.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Think
Thinking
People
Genocide
Israel
Greatest
Fear

More quotes by Etgar Keret

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I don't need art to tell me people are assholes. I can just go into the streets.
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Being ambivalent doesn't mean that you're a relevatist, that anything goes it just means that you show the complexity of life. Life is always complex.
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Being published in Arabic is a strong and consistent wish I have. I live in the Middle East and want to be in some sort of an unpragmatic dialogue with my neighbors.
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The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
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Translators are like ninjas. If you notice them, they’re no good.
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Even as a very young man, I knew that my family is like a plant. Uproot it, and it will wilt. Pluck away at it, and it will die. But leave it to thrive in the soil, untouched, and it will weather both gods and winds. It is born with the soil, and it will live so long as the soil shall live.
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You'll never know what's happening inside the heads of other people.
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I think that any authentic feeling one has of life should be a feeling of defeat. It's a losing game. You're going to die. Civilization is going to end. Our society is in decline, and we should feel OK about it because Roman society was in decline and before it the Assyrian one was, and they disappeared off this earth and we will disappear too.
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This idea where, in this safe haven for Jews, Jews will threaten to kill other Jews, it wasn't in the brochure.
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What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.
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According to Gur's theory of boredom, everything that happens in the world today is because of boredom: love, war, inventions, fake fireplaces - ninety-five percent of all that is pure boredom.
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I think the typical way is that usually Holocaust survivors are known to be very quiet and full of anxiety, many of them don't like life, don't trust people. But my parents were children during the Holocaust. And my father was very optimistic.
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Generally, all my life, I have had strong friction with life - I was a problematic soldier, I was kicked out of the army, I was in fights. There was something about writing that was a way of experimenting with this emotion.
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I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
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If someone gives you a piece of advice that sounds right and feels right, use it. If someone gives you a piece of advice that sounds right and feels wrong, don’t waste so much as a single second on it. It may be fine for someone else, but not for you.
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All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
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When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
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I write what needs to be written the way that seems genuinely right. If what comes out of it are stories, then it is my vocation to believe in them and in the fact that they'll interest people and maybe affect their lives.
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I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
Etgar Keret
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People usually don't allow you to cut off their tongue.
Etgar Keret