Quote

I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Time
Lose
Like
Loses
Seeing
Incentive
Movie
Endings
Write
Incentives
Writing
Ending
Much
Second
Never
Already

More quotes by Etgar Keret

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The one who swallows cactuses with spines should not complain about hemorrhoids.
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Most of the Jewish writer friends I have are American, and I feel closer to them because they're always obsessed with one issue - identity: what does it mean to be an American Jew?
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If you want to learn how to be happy, you have to know what is sadness first.
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All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
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Writing is very castrating in the moment. Fiction in general, it has no function, nobody asks for it.
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In Israel, there is this reduction of the political discourse to something that is very limited. It's as if you have that pitch that only dogs can hear. Sometimes I feel I speak at such a pitch that very few people around me communicate with what I'm saying.
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Collaborating with your wife is amazing because you are doing something together with a person you truly love and know and discover things about her in that process which you have never had discovered on other circumstances.
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In the last war, people became vocal from the right-wing point of view: if you're liberal, then you're a traitor.
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I'm not saying that I don't experience people in life as evil, but writing is not a place of alienation writing is the place where we can try to be human.
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It's kind of a reflex for me to ignore my own wishes and think about other people first.
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Translators are like ninjas. If you notice them, they’re no good.
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What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.
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I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
Etgar Keret
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I write what needs to be written the way that seems genuinely right. If what comes out of it are stories, then it is my vocation to believe in them and in the fact that they'll interest people and maybe affect their lives.
Etgar Keret
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As a child, I never wanted my parents to be unhappy, which meant that I would always contemplate what would make them happy.
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I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
Etgar Keret
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You'll never know what's happening inside the heads of other people.
Etgar Keret
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I was born at six months, and I weighed 900 grams [less than two pounds]. I have a very heroic birth story.
Etgar Keret
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You don't need to use the language of God to ask where the restrooms are.
Etgar Keret
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In my stories I can kiss the girls I want to kiss and punch the girls I want to punch. Nobody pays a price for it.
Etgar Keret