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My first and biggest love was always fiction writing. But it is a very lonely pastime.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Love
Pastime
Lonely
Biggest
Fiction
Firsts
First
Writing
Always

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It's kind of a reflex for me to ignore my own wishes and think about other people first.
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I think that, in Israel, the greatest fear that people have, and I have it, too, is fear of genocide.
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Hebrew was frozen, like frozen peas, fresh out of the Bible.
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The fact is that everything I have in my pockets is carefully chosen so I’ll always be prepared. Everything is there so I can be at an advantage at the moment of truth. Actually, that’s not accurate. Everything’s there so I won’t be at a disadvantage at the moment of truth.
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If someone gives you a piece of advice that sounds right and feels right, use it. If someone gives you a piece of advice that sounds right and feels wrong, don’t waste so much as a single second on it. It may be fine for someone else, but not for you.
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I don't need art to tell me people are assholes. I can just go into the streets.
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For me taking a pragmatic decision when it comes to art is almost an oxymoron. The reason I first picked up a pen and wrote a story had nothing pragmatic in it.
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The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
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Maybe in the general scheme of things he couldn't find any meaning in life, but on a smaller scale it was okay. Not always, but a lot of the time.
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I always have a story in my head that needs to be written, or at least I think I do. But I usually can't find the time to write it.
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When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
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Collaborating with your wife is amazing because you are doing something together with a person you truly love and know and discover things about her in that process which you have never had discovered on other circumstances.
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Life keeps being a beautiful and frustrating experience.
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I'm not saying that I don't experience people in life as evil, but writing is not a place of alienation writing is the place where we can try to be human.
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I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board.
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Translators are like ninjas. If you notice them, they’re no good.
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When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them.
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Generally, all my life, I have had strong friction with life - I was a problematic soldier, I was kicked out of the army, I was in fights. There was something about writing that was a way of experimenting with this emotion.
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I think the typical way is that usually Holocaust survivors are known to be very quiet and full of anxiety, many of them don't like life, don't trust people. But my parents were children during the Holocaust. And my father was very optimistic.
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I was born at six months, and I weighed 900 grams [less than two pounds]. I have a very heroic birth story.
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