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I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Right
Solutions
Feel
Learned
Feels
Wrong
Writing
Write
Made
Stories
Something
Used
Vonnegut
Good
May
Kurt
Enough
Solution

More quotes by Etgar Keret

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The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
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Maybe in the general scheme of things he couldn't find any meaning in life, but on a smaller scale it was okay. Not always, but a lot of the time.
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People usually don't allow you to cut off their tongue.
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Even as a very young man, I knew that my family is like a plant. Uproot it, and it will wilt. Pluck away at it, and it will die. But leave it to thrive in the soil, untouched, and it will weather both gods and winds. It is born with the soil, and it will live so long as the soil shall live.
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You'll never know what's happening inside the heads of other people.
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Translators are like ninjas. If you notice them, they’re no good.
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I always have a story in my head that needs to be written, or at least I think I do. But I usually can't find the time to write it.
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As the son of Holocaust survivors, this is life - you're put in a corner, and you have to get out. I believe that you can always get out.
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I'm not saying that I don't experience people in life as evil, but writing is not a place of alienation writing is the place where we can try to be human.
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I think that before my son was born, I didn't have a strong sensation for future. I was living in this kind of never-ending present.
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I was born at six months, and I weighed 900 grams [less than two pounds]. I have a very heroic birth story.
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I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.
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In the last war, people became vocal from the right-wing point of view: if you're liberal, then you're a traitor.
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As a child, I never wanted my parents to be unhappy, which meant that I would always contemplate what would make them happy.
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When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
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When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them.
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Being ambivalent doesn't mean that you're a relevatist, that anything goes it just means that you show the complexity of life. Life is always complex.
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I don't have Facebook or Twitter accounts yet. Being a compulsive storyteller, I always make up for myself discouraging stories about how such accounts will get me into embarrassing and time-consuming situations.
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You don't need to use the language of God to ask where the restrooms are.
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I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
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