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I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Part
Separate
Character
Independent
Much
Creatures
Characters
Return
Least
Story
Stories
Rarely

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The one who swallows cactuses with spines should not complain about hemorrhoids.
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According to Gur's theory of boredom, everything that happens in the world today is because of boredom: love, war, inventions, fake fireplaces - ninety-five percent of all that is pure boredom.
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It's funny, but I think my stories - the good ones - they're much smarter than I am.
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I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.
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As a monogamous creature, I feel sometimes that it fills up a function that affairs have in married people's life.
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There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
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All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
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I don't have Facebook or Twitter accounts yet. Being a compulsive storyteller, I always make up for myself discouraging stories about how such accounts will get me into embarrassing and time-consuming situations.
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For my mother, having a family was the most important thing in her life. In the Second World War, it was a challenge - surviving physically and mentally and finding somebody who you loved and who was willing to be with you.
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Generally, all my life, I have had strong friction with life - I was a problematic soldier, I was kicked out of the army, I was in fights. There was something about writing that was a way of experimenting with this emotion.
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Translators are like ninjas. If you notice them, they’re no good.
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Most of the Jewish writer friends I have are American, and I feel closer to them because they're always obsessed with one issue - identity: what does it mean to be an American Jew?
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Being ambivalent doesn't mean that you're a relevatist, that anything goes it just means that you show the complexity of life. Life is always complex.
Etgar Keret
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I think that before my son was born, I didn't have a strong sensation for future. I was living in this kind of never-ending present.
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Collaborating with your wife is amazing because you are doing something together with a person you truly love and know and discover things about her in that process which you have never had discovered on other circumstances.
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In the last war, people became vocal from the right-wing point of view: if you're liberal, then you're a traitor.
Etgar Keret
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I write what needs to be written the way that seems genuinely right. If what comes out of it are stories, then it is my vocation to believe in them and in the fact that they'll interest people and maybe affect their lives.
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I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board.
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I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
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What you experience in the army, aged 18 to 21, is what you take through all your life. You cross invisible lines: you shoot someone, get shot, break into people's houses. It's naive to think you won't carry anything into your life.
Etgar Keret