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Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.

Etgar Keret

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Etgar Keret
Age: 57
Born: 1967
Born: August 20
Actor
Film Director
Pedagogue
Playwright
Poet
Screenwriter
Writer
Keret
Etgar
Give
Characters
Giving
Started
Much
Story
Way
Didn
Make
Film
World
Stories
Positioned
Thought
Physically
Character
Films

More quotes by Etgar Keret

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All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
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When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them.
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In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
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Writing is very castrating in the moment. Fiction in general, it has no function, nobody asks for it.
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I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
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When I was a kid, I wanted to make my parents happy. I'd always say to them, What do you want me to do? Do sports? Be rich? Be funny? My mother would say, Whatever we want from you, you already gave us - we wanted you to be alive, and you made it.
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I think that before my son was born, I didn't have a strong sensation for future. I was living in this kind of never-ending present.
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I don't like the expression writer's block because I think it presupposes that you have a problem with your plumbing. I really think it's the other way around.
Etgar Keret
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Hebrew was frozen, like frozen peas, fresh out of the Bible.
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This idea where, in this safe haven for Jews, Jews will threaten to kill other Jews, it wasn't in the brochure.
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For my mother, having a family was the most important thing in her life. In the Second World War, it was a challenge - surviving physically and mentally and finding somebody who you loved and who was willing to be with you.
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When I say a spoken Hebrew sentence, half of it is like the King James Bible and half of it is a hip-hop lyric. It has a roller-coaster effect.
Etgar Keret
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When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
Etgar Keret
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The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
Etgar Keret
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What connects me so strongly to Israel is the fact that I'm second generation.
Etgar Keret
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I think there are some artists whose works are misanthropic.
Etgar Keret
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I think the typical way is that usually Holocaust survivors are known to be very quiet and full of anxiety, many of them don't like life, don't trust people. But my parents were children during the Holocaust. And my father was very optimistic.
Etgar Keret
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What you experience in the army, aged 18 to 21, is what you take through all your life. You cross invisible lines: you shoot someone, get shot, break into people's houses. It's naive to think you won't carry anything into your life.
Etgar Keret
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It's funny, but I think my stories - the good ones - they're much smarter than I am.
Etgar Keret
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In the army you feel violated - there's no private space. Writing was a life-saver, a way of recovering private territory.
Etgar Keret