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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Making
Various
Culture
Door
Black
Outside
Crawford
Thought
Doors
Cindy
Work
Building
Bras
Progress
Integrating
Went
Layers
Morning
Clearly
More quotes by Esa-Pekka Salonen
I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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Music has just as much to do with movement and body as it does soul and intellect.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
Esa-Pekka Salonen
If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
Esa-Pekka Salonen
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
Esa-Pekka Salonen
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
Esa-Pekka Salonen
It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
