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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Morning
Clearly
Making
Various
Culture
Door
Black
Outside
Crawford
Thought
Doors
Cindy
Work
Building
Bras
Progress
Integrating
Went
Layers
More quotes by Esa-Pekka Salonen
The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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Conducting was just something that happened by fluke.
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
Esa-Pekka Salonen
We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
Esa-Pekka Salonen
Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
Esa-Pekka Salonen
The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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