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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Character
Festivals
Important
Hall
Think
Exclusive
Thinking
Royal
People
Halls
Hang
London
Festival
Nice
Inviting
More quotes by Esa-Pekka Salonen
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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Music has just as much to do with movement and body as it does soul and intellect.
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I love a visceral sound, the kind that hits you in the belly.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
Esa-Pekka Salonen
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
Esa-Pekka Salonen
I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
