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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.

Esa-Pekka Salonen

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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Life
Philharmonic
Satisfying
Deeply
Adventure
Became
Journey
Thing

More quotes by Esa-Pekka Salonen

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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
Esa-Pekka Salonen
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We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
Esa-Pekka Salonen
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
Esa-Pekka Salonen
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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
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Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
Esa-Pekka Salonen
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
Esa-Pekka Salonen
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I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Esa-Pekka Salonen
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
Esa-Pekka Salonen
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Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
Esa-Pekka Salonen
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
Esa-Pekka Salonen
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
Esa-Pekka Salonen
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
Esa-Pekka Salonen
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
Esa-Pekka Salonen
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
Esa-Pekka Salonen