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Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.

Esa-Pekka Salonen

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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Things
Piano
Fridges
Think
Number
Item
Thinking
Numbers
Ladder
People
Started
Ladders
Courses
Items
Course
Household
American
Climbing
Three
European
Fridge

More quotes by Esa-Pekka Salonen

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There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
Esa-Pekka Salonen
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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
Esa-Pekka Salonen
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
Esa-Pekka Salonen
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I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Esa-Pekka Salonen
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
Esa-Pekka Salonen
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I think if you would like to describe composing as an act with one word, slow would be the word.
Esa-Pekka Salonen
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
Esa-Pekka Salonen
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
Esa-Pekka Salonen
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
Esa-Pekka Salonen
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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
Esa-Pekka Salonen
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
Esa-Pekka Salonen
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Conducting was just something that happened by fluke.
Esa-Pekka Salonen
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
Esa-Pekka Salonen
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
Esa-Pekka Salonen
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I love a visceral sound, the kind that hits you in the belly.
Esa-Pekka Salonen
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
Esa-Pekka Salonen