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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Word
Wrong
Actually
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Classic
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More quotes by Esa-Pekka Salonen
Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
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