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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Time
Paint
Waste
Guys
Vinci
Level
Michelangelo
Levels
Leonardo
Guy
Tempting
Going
Anyway
Would
Likely
More quotes by Esa-Pekka Salonen
After 30 years I have realized the greatest pleasure I can get is to have learnt.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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I love a visceral sound, the kind that hits you in the belly.
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
Esa-Pekka Salonen
The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
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We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
Esa-Pekka Salonen
Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
Esa-Pekka Salonen
The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
Esa-Pekka Salonen
Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
Esa-Pekka Salonen
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
Conducting was just something that happened by fluke.
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