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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
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Helsingfors
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More quotes by Esa-Pekka Salonen
There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
Esa-Pekka Salonen
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
Esa-Pekka Salonen
Conducting was just something that happened by fluke.
Esa-Pekka Salonen
After 30 years I have realized the greatest pleasure I can get is to have learnt.
Esa-Pekka Salonen
I love a visceral sound, the kind that hits you in the belly.
Esa-Pekka Salonen
We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
Esa-Pekka Salonen
Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
Esa-Pekka Salonen
Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen
There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
Esa-Pekka Salonen
There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
Esa-Pekka Salonen
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
Esa-Pekka Salonen
The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
Esa-Pekka Salonen
I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
Esa-Pekka Salonen
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
Esa-Pekka Salonen