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Conducting was just something that happened by fluke.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Fluke
Flukes
Conducting
Happened
Something
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Music has just as much to do with movement and body as it does soul and intellect.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
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We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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