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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
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Coast
Find
Possibilities
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Went
Pioneering
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America
Openness
More quotes by Esa-Pekka Salonen
I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
Esa-Pekka Salonen
After 30 years I have realized the greatest pleasure I can get is to have learnt.
Esa-Pekka Salonen
Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
Esa-Pekka Salonen
Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
Esa-Pekka Salonen
If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
Esa-Pekka Salonen
The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
Esa-Pekka Salonen
The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
Esa-Pekka Salonen
When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
Esa-Pekka Salonen
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Esa-Pekka Salonen
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
Esa-Pekka Salonen
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
Esa-Pekka Salonen
I love a visceral sound, the kind that hits you in the belly.
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
Esa-Pekka Salonen
I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
Esa-Pekka Salonen
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
Esa-Pekka Salonen
There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
Esa-Pekka Salonen
There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
Esa-Pekka Salonen
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
Esa-Pekka Salonen
