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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Always
Southern
Faster
Happenings
Happening
Slower
Surface
Northern
Whatever
Underlying
Process
Continuous
Music
Tends
More quotes by Esa-Pekka Salonen
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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I love a visceral sound, the kind that hits you in the belly.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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I think if you would like to describe composing as an act with one word, slow would be the word.
Esa-Pekka Salonen
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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Conducting was just something that happened by fluke.
Esa-Pekka Salonen
Music has just as much to do with movement and body as it does soul and intellect.
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I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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