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After 30 years I have realized the greatest pleasure I can get is to have learnt.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Learnt
Realized
Greatest
Pleasure
Years
More quotes by Esa-Pekka Salonen
Conducting was just something that happened by fluke.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
Esa-Pekka Salonen
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Esa-Pekka Salonen
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
Esa-Pekka Salonen
The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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