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The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Thing
Project
Never
Players
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Scary
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Barely
People
Player
Hall
Hear
Quietly
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Seats
More quotes by Esa-Pekka Salonen
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
Esa-Pekka Salonen
I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
Esa-Pekka Salonen
Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
Esa-Pekka Salonen
After 30 years I have realized the greatest pleasure I can get is to have learnt.
Esa-Pekka Salonen
Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
Esa-Pekka Salonen
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
Esa-Pekka Salonen
There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
Esa-Pekka Salonen
I'm still disturbed if a chord isn't together, but your priorities change as you get older.
Esa-Pekka Salonen
Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
Esa-Pekka Salonen
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
Esa-Pekka Salonen
There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
Esa-Pekka Salonen
The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
Esa-Pekka Salonen
There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
Conducting was just something that happened by fluke.
Esa-Pekka Salonen
There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
Esa-Pekka Salonen
I love a visceral sound, the kind that hits you in the belly.
Esa-Pekka Salonen
We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
Esa-Pekka Salonen