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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Used
Precision
Orchestra
Emphasis
Layers
Separation
Clarity
Ultimate
Become
Orchestras
More quotes by Esa-Pekka Salonen
Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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I think if you would like to describe composing as an act with one word, slow would be the word.
Esa-Pekka Salonen
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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I love a visceral sound, the kind that hits you in the belly.
Esa-Pekka Salonen
Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
Esa-Pekka Salonen
Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
Esa-Pekka Salonen
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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