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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Stravinsky
Orchestration
Masters
Learned
Like
Ravel
More quotes by Esa-Pekka Salonen
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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Conducting was just something that happened by fluke.
Esa-Pekka Salonen
I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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