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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Faking
Suspect
Suspects
Immediately
Anyone
Must
Time
Composes
Conducts
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
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I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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Conducting was just something that happened by fluke.
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
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