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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Must
Time
Composes
Conducts
Faking
Suspect
Suspects
Immediately
Anyone
More quotes by Esa-Pekka Salonen
Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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Conducting was just something that happened by fluke.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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After 30 years I have realized the greatest pleasure I can get is to have learnt.
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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
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I think if you would like to describe composing as an act with one word, slow would be the word.
Esa-Pekka Salonen
Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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When an artist works today or whenever, it's not about creating immortal masterpieces, because that's the one thing we don't decide ourselves.
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