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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.

Esa-Pekka Salonen

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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Program
Film
Music
Reason
Annuals
Real
Annual
Believe
Dose
Artistic
Sake

More quotes by Esa-Pekka Salonen

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There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit.
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We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
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Conducting was just something that happened by fluke.
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Esa-Pekka Salonen
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
Esa-Pekka Salonen
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Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
Esa-Pekka Salonen
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
Esa-Pekka Salonen
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
Esa-Pekka Salonen
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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
Esa-Pekka Salonen
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
Esa-Pekka Salonen
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
Esa-Pekka Salonen
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It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
Esa-Pekka Salonen
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In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
Esa-Pekka Salonen
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If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, This is a fairy tale of the first order.
Esa-Pekka Salonen
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
Esa-Pekka Salonen
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
Esa-Pekka Salonen
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Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.
Esa-Pekka Salonen
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Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen