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My music wouldn't sound the way it does if I hadn't had the experience of conducting.

Esa-Pekka Salonen

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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Wouldn
Sound
Experience
Doe
Music
Way
Conducting
Hadn

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I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
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The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
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I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
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