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My music wouldn't sound the way it does if I hadn't had the experience of conducting.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
Composer
Conductor
Helsingfors
Hadn
Wouldn
Sound
Experience
Doe
Music
Way
Conducting
More quotes by Esa-Pekka Salonen
Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
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I think if you would like to describe composing as an act with one word, slow would be the word.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
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I love a visceral sound, the kind that hits you in the belly.
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I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.
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Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
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We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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Conducting was just something that happened by fluke.
Esa-Pekka Salonen
Of course, if you think of a European or American household in the '50s, so what were the things that when people started climbing up the ladder, what did they buy? A fridge, a TV, I think piano was the number three item in say '53 or '54.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface in Southern music the underlying process is always faster.
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
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The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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