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In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
Esa-Pekka Salonen
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Esa-Pekka Salonen
Age: 66
Born: 1958
Born: June 30
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Helsingfors
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More quotes by Esa-Pekka Salonen
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
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Lots of really interesting people move to U.S and decide to work here, because of this whole attitude and openness. I'm absolutely convinced that this is just the beginning. In a couple decades we will see an even more dramatic change.
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I went to work one morning, and outside my door was Cindy Crawford in a black bra, and I thought that very clearly the building is making progress in integrating itself into various layers of our culture.
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Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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I love a visceral sound, the kind that hits you in the belly.
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I actually don't like this term, classic. It's wrong, but we don't have a better word at the moment.
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Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
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I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
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The Royal Festival Hall in London is nice people hang out there. I think this inviting, non-exclusive character is very important.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
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I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
After 30 years I have realized the greatest pleasure I can get is to have learnt.
Esa-Pekka Salonen
There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that.
Esa-Pekka Salonen
I'm still disturbed if a chord isn't together, but your priorities change as you get older.
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I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
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Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
Esa-Pekka Salonen