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I've been involved in doing advertising for various elections and I just couldn't see doing anti-Trump advertising in this election. My line has been, How could you do anything worse that what he does himself?.
Errol Morris
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Errol Morris
Age: 76
Born: 1948
Born: February 5
Actor
Film Director
Film Editor
Film Producer
Non-Fiction Writer
Screenwriter
Hewlett
New York
Errol Mark Morris
Worse
Couldn
Line
Involved
Elections
Trump
Anti
Lines
Advertising
Doe
Various
Anything
Election
More quotes by Errol Morris
[Elsa Dorfman]was well known. Certainly in the Boston area, she's well known as a portrait photographer. My wife always wanted to meet her and then there was some benefit where she was taking pictures.
Errol Morris
The perfect war is started for obscure reasons, is hopelessly murderous, and accomplishes nothing.
Errol Morris
Like all great documentaries, The Act of Killing demands another way of looking at reality. It starts as a dreamscape, an attempt to allow the perpetrators to reenact what they did, and then something truly amazing happens. The dream dissolves into nightmare and then into bitter reality. An amazing and impressive film.
Errol Morris
If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
Errol Morris
I don't think that anybody really makes films quite like mine. That's maybe true of any filmmaker.
Errol Morris
Basically, Making a Murderer chronicles a set of crimes committed in Wisconsin: Manitowoc, Wisconsin. The first crime is a miscarriage of justice. Steven Avery is convicted and sentenced to a very, very long prison sentence for the assault on a woman. And it comes to light through DNA evidence that he was not the assailant.
Errol Morris
A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
Errol Morris
The chance that any given sentence is a lie, rather than a truth, I think, is fairly great. An intentional lie, a self-deception, a misconception - there are lots of categories of untruth, not one grab bag. And hotographs can reveal something to us, and they can also conceal things.
Errol Morris
I've always wondered where explanations end and excuses begin.
Errol Morris
We falsely interpret the world around us. We ignore evidence that doesn't support our prior beliefs and we convince ourselves we know things we don. We think we know things we don't know.
Errol Morris
Part of the mystery of any given photograph is the fact that it was taken at a certain time and in a certain place and time keeps moving on. A photograph might be a moment in time preserved, but the world continues to change around it.
Errol Morris
But there's a big difference between, say, reporting on a story and simply making up a story.
Errol Morris
The imprimatur of truthfulness does not guarantee truthfulness. People should know better. But they don't.
Errol Morris
Those who cannot remember the past are condemned to repeat it without a sense of ironic futility.
Errol Morris
Truth and falsity is something that concerns language, it's a property of language.
Errol Morris
The claim that everybody sees the world differently is not a claim that there's no reality. It's a different kind of claim.
Errol Morris
I think we get into all kinds of difficulty by saying photographs should be taken in a certain way which guarantees their veracity. I think that's a slippery slope to hell.
Errol Morris
I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down it becomes different. It becomes really powerful, and for me, real. It becomes out of control.
Errol Morris
I used to say that interviewing others was perhaps the way I could stop talking and start listening. It's a kind of enforced silence.
Errol Morris
Certain kinds of intimacy emerge on a phone call that might never occur if you were sitting right next to the other person.
Errol Morris