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There are almost too many possibilities. Photography is in direct proportion with our time: multiple, faster, instant. Because it is so easy, it will be more difficult.

Ernst Haas

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Ernst Haas
Age: 65 †
Born: 1921
Born: March 2
Died: 1986
Died: September 12
Journalist
Photographer
Photojournalist
Writer
Portuguese Republic
Erunusuto Hāsu
Almost
Possibilities
Difficult
Proportion
Easy
Instant
Many
Faster
Time
Photographer
Photography
Direct
Possibility
Multiple

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A picture can be an answer as well as a question but if you can't answer your question try to question your question... There can be questions without answers but no answers without questions.
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I have always felt better taking a risk than an easier route for what I believe in.
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I don't believe so much in the value of a single picture anymore. I don't really photograph for the wall.
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Only a vision - that is what one must have.
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The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.
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We all would love sometimes to be free from our own knowledge. It is even the most difficult to unlearn - as the most important problems are.
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Learn by doing or even better unlearn by doing. The opposite of what you learned.
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Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure.
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With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will.
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A picture is the expression of an impression. If the beautiful were not in us, how would we ever recognize it?
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You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.
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Style has no formula, but it has a secret key. It is the extension of your personality.
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Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point.
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Color is joy. One does not think joy. One is carried by it.
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All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most, I shot.
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Beware of direct inspiration. It leads too quickly to repetitions of what inspired you.
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There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
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I prefer to be noticed some day, first for my ideas and second for my good eye.
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Best wide-angle lens? Two steps backward. Look for the 'ah-ha'.
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The most important lens you have is your legs
Ernst Haas