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He spends the majority of the evening in the company of Celia Bowen, whose elaborate gown changes color, shifting through a rainbow of hues to compliment whoever she is closest to.

Erin Morgenstern

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Erin Morgenstern
Age: 46
Born: 1978
Born: July 8
Novelist
Writer
Evening
Gowns
Changes
Elaborate
Majority
Spends
Whose
Shifting
Color
Rainbow
Celia
Company
Compliment
Hues
Closest
Gown
Whoever
Hue

More quotes by Erin Morgenstern

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Comic-Con was crazy, good crazy... Five minutes after I'm done, the cast of 'Twilight' is where I was sitting.
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Have you ever thought about it, about simply leaving? Really, truly thought about it with the intent to follow through and not as a dream or a passing fancy?
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This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit.
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They say it's darkest before the dawn, but it also tend to be quietest, and the quiet lets you hear yourself better.
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I saw in details while she saw in scope. Not seeing the scope is why I am here and she is not. I took each element spearately and never looked to see that they never did fit together properly
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You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.
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The finest of pleasures are always the unexpected ones.
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I'm kind of big on performance in general. I like the sort of entertainment where you can go in and be fully immersed in it.
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I have been surrounded by love letters you two have built each other for years, encased in tents.
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Celia. he says without looking up at her, why do we wind our watch? Because everything requires energy, she recites obediently, eyes still focused on her hand. We must put effort and energy into anything we wish to change.
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The sensation reminds him of the first snow of winter, for those first few hours when everything is blanketed in white, soft and quiet.
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Do you remember all of your audiences? Marco asks. Not all of them, Celia says. But I remember the people who look at me the way you do. What way might that be? As though they cannot decide if they are afraid of me or they want to kiss me. I am not afraid of you, Marco says.
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Why haven’t you asked me how I do my tricks?” Celia asks, once they have reached the point where she is certain he is not simply being polite about the matter. “Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better remain in the dark.
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I am tired of trying to hold things together that cannot be held.
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Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.
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I'm an emotional sort of person in general and I have a vivid imagination, so I feel the whole spectrum of emotion strongly when I write.
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The Burgess sisters arrived together. Tara and Lainie do a little bit of everything. Sometimes dancers, sometimes actresses. Once they were librarians, but that is a subject they will only discuss if heavily intoxicated.
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...have a theory that she is in love with the dream of someone and not an actual person.
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I like that once upon a time quality, where the telling of a tale has an elevated sense of story. There's a whimsical quality to it. Sometimes in fairy tales more things seem possible, even though often they're real world based.
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But dreams have ways of turning into nightmares.
Erin Morgenstern